The Calling (feat. Mhaw Keys)
30s preview
- Key
- 1B · B major
- BPM
- 120
- Open Key
- 6d
- Energy
- 79/100
- Pop
- 10/100
- Length
- 5:44
- Released
- 2021
- Album
- Petle Petle
- Genre
- Tropical House
- Loudness
- -9.2 dB
- Dynamics
- 15.2 dB
- ISRC
- ZAC012100021
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 120 BPM in B major (1B), The Calling (feat. Mhaw Keys) is a club-tempo tropical house production. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 15 dB). Faster than 89% of DJ Maphorisa's catalogue. In a set it works best as a floor-filler.
- Energy:
- hotter than 87% of DJ Maphorisa's catalogue
- Low end:
- more treble-tilted than 85% of DJ Maphorisa's catalogue
- Brightness:
- darker than 83% of DJ Maphorisa's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is The Calling (feat. Mhaw Keys) in?
The Calling (feat. Mhaw Keys) by DJ Maphorisa is in B major, or 1B on the Camelot wheel.
What BPM is The Calling (feat. Mhaw Keys)?
The Calling (feat. Mhaw Keys) runs at 120 BPM, a club-tempo track.
What mixes well with The Calling (feat. Mhaw Keys)?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is The Calling (feat. Mhaw Keys) good for peak time?
With energy 79 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 120 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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