
Heavenly Elements - Original Mix
30s preview
- BPM
- 230
- Half-time
- 115
- Open Key
- 6m
- Energy
- 85/100
- Pop
- 4/100
- Length
- 6:45
- Released
- 2015
- Album
- Heavenly Elements
- Genre
- Amapiano
- Loudness
- -10.7 dB
- Dynamics
- 14.1 dB
- ISRC
- GBKQU1569322
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
An amapiano cut, Heavenly Elements - Original Mix sits in A♭ minor (1A) at 230 BPM. Tonally it lands bright and euphoric. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2015 production that still circulates in sets. Faster than 99% of Kabza De Small's catalogue. In a set it works best as a mid-set roller.
- Energy:
- hotter than 94% of Kabza De Small's catalogue
- Groove:
- less groove-driven than 93% of Kabza De Small's catalogue
- Brightness:
- brighter than 91% of Kabza De Small's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Heavenly Elements - Original Mix in?
Heavenly Elements - Original Mix by Kabza De Small is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Heavenly Elements - Original Mix?
Heavenly Elements - Original Mix runs at 230 BPM.
What mixes well with Heavenly Elements - Original Mix?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Heavenly Elements - Original Mix good for peak time?
With energy 85 out of 100 at 230 BPM, it works best as a mid-set roller.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 230 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 216-244 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 230 — beatmatch without a big tempo pull.
More amapiano
More from Kabza De Small
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 230 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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