Loving the Boy - Remix
30s preview
- BPM
- 113
- Open Key
- 6m
- Energy
- 76/100
- Pop
- 1/100
- Length
- 6:38
- Released
- 2020
- Album
- Loving the Boy (Remix)
- Genre
- African
- Loudness
- -7.9 dB
- Dynamics
- 18.0 dB
- ISRC
- ZAQLY2000002
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Loving the Boyoriginal12A · 113
Against the original (12A at 113 BPM), this version holds the same tempo and moves the key from 12A to 1A.
At 113 BPM in A♭ minor (1A), Loving the Boy - Remix is a mid-tempo african production. The groove is strong and floor-ready. It is vocal-led. The master keeps unusual dynamic range for club music (crest 18 dB). More underground than 99% of Musa Keys's catalogue.
- Low end:
- more treble-tilted than 97% of Musa Keys's catalogue
- Groove:
- groovier than 95% of Musa Keys's catalogue
- Energy:
- hotter than 85% of Musa Keys's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Loving the Boy - Remix in?
Loving the Boy - Remix by Musa Keys is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Loving the Boy - Remix?
Loving the Boy - Remix runs at 113 BPM, a mid-tempo track.
What mixes well with Loving the Boy - Remix?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Loving the Boy - Remix good for peak time?
With energy 76 out of 100 at 113 BPM, it works best as a floor-filler.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 113 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 106-120 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 113 — beatmatch without a big tempo pull.
More african
More from Musa Keys
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 113 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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