Bad Luck - A Dimitri From Paris Disco Re-Edit
30s preview
- BPM
- 126
- Open Key
- 4d
- Energy
- 91/100
- Pop
- 18/100
- Length
- 9:12
- Released
- 2021
- Album
- Philadelphia International Records: Dimitri From Paris Remixes
- Genre
- Disco
- Loudness
- -5.7 dB
- Dynamics
- 13.1 dB
- ISRC
- USSM12106906
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Bad Luck - A Dimitri From Paris Disco Re-Edit is a club-tempo disco track in A major (11B) at 126 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). Darker than 96% of Dimitri From Paris's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- better known than 80% of Dimitri From Paris's catalogue
- Tempo:
- faster than 79% of Dimitri From Paris's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Bad Luck - A Dimitri From Paris Disco Re-Edit in?
Bad Luck - A Dimitri From Paris Disco Re-Edit by Dimitri From Paris is in A major, or 11B on the Camelot wheel.
What BPM is Bad Luck - A Dimitri From Paris Disco Re-Edit?
Bad Luck - A Dimitri From Paris Disco Re-Edit runs at 126 BPM, a club-tempo track.
What mixes well with Bad Luck - A Dimitri From Paris Disco Re-Edit?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Bad Luck - A Dimitri From Paris Disco Re-Edit good for peak time?
With energy 91 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 126 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More disco
More from Dimitri From Paris
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.