These Things Will Come to Be by DJ Seinfeld cover art

These Things Will Come to Be

DJ Seinfeld

30s preview

Key
11A · F♯ minor
BPM
126
Open Key
4m
Energy
93/100
Pop
10/100
Length
3:33
Released
2021
Genre
House
Loudness
-7.3 dB
Dynamics
10.9 dB
ISRC
GBCFB2200189

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

These Things Will Come to Be: club-tempo house, F♯ minor (11A), 126 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Hotter than 85% of DJ Seinfeld's catalogue. In a set it works best as a peak-time weapon.

Brightness:
darker than 77% of DJ Seinfeld's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy93
Mood21Dark
Groove73
Acoustic2
Instrumental90
Live9
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
34%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is These Things Will Come to Be in?

These Things Will Come to Be by DJ Seinfeld is in F♯ minor, or 11A on the Camelot wheel.

What BPM is These Things Will Come to Be?

These Things Will Come to Be runs at 126 BPM, a club-tempo track.

What mixes well with These Things Will Come to Be?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is These Things Will Come to Be good for peak time?

With energy 93 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

#TrackKey·BPM

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 126 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 93/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More house

More from DJ Seinfeld

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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