Soul Fire - Dimmish Remix Edit
30s preview
- Key
- 4A · F minor
- BPM
- 128
- Open Key
- 9m
- Energy
- 99/100
- Pop
- 12/100
- Length
- 3:34
- Released
- 2020
- Album
- Ying Yang EP
- Genre
- House
- Loudness
- -8.7 dB
- Dynamics
- 13.6 dB
- ISRC
- GBKQU2004492
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Soul Fire - Editversion12A · 128
- Soul Fireoriginal12A · 128
- Soul Fire - Dimmish Remixremix4B · 128
Against the original (12A at 128 BPM), this version holds the same tempo and moves the key from 12A to 4A.
Soul Fire - Dimmish Remix Edit runs 128 BPM in F minor (4A), a peak-time tempo house record. The feel is bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 14 dB). Hotter than 98% of Darius Syrossian's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 96% of Darius Syrossian's catalogue
- Low end:
- more treble-tilted than 87% of Darius Syrossian's catalogue
- Reach:
- better known than 77% of Darius Syrossian's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Soul Fire - Dimmish Remix Edit in?
Soul Fire - Dimmish Remix Edit by Darius Syrossian is in F minor, or 4A on the Camelot wheel.
What BPM is Soul Fire - Dimmish Remix Edit?
Soul Fire - Dimmish Remix Edit runs at 128 BPM, a peak-time tempo track.
What mixes well with Soul Fire - Dimmish Remix Edit?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Soul Fire - Dimmish Remix Edit good for peak time?
With energy 99 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 128 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 99/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Darius Syrossian
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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