Sensation - Rrose Remix
30s preview
- BPM
- 120
- Open Key
- 3m
- Energy
- 62/100
- Pop
- 10/100
- Length
- 8:32
- Released
- 2016
- Album
- Sensation (Rrose Remix) / Clear [Abdulla Rashim Remix]
- Genre
- Techno
- Label
- Phantasy Sound
- Loudness
- -14.4 dB
- Dynamics
- 10.8 dB
- ISRC
- GBTZZ1600061
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Sensation (Rrose remix)remix6B · 124
- Sensation - Original Mixoriginal6B · 123
Against the original (6B at 123 BPM), this version runs 3 BPM slower and moves the key from 6B to 10A.
A club-tempo techno cut, Sensation - Rrose Remix sits in B minor (10A) at 120 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. More bass-heavy than 96% of Daniel Avery's catalogue.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 49%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 1%
- High
- 2.5-11 kHz
FAQ
What key is Sensation - Rrose Remix in?
Sensation - Rrose Remix by Daniel Avery is in B minor, or 10A on the Camelot wheel.
What BPM is Sensation - Rrose Remix?
Sensation - Rrose Remix runs at 120 BPM, a club-tempo track.
What mixes well with Sensation - Rrose Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Sensation - Rrose Remix good for peak time?
With energy 62 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 120 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More techno
More from Daniel Avery
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.