Ears for Eyes
30s preview
- Key
- 8B · C major
- BPM
- 120
- Open Key
- 1d
- Energy
- 60/100
- Pop
- 0/100
- Length
- 2:00
- Released
- 2016
- Album
- Isolation Themes
- Genre
- Techno
- Loudness
- -15.9 dB
- Dynamics
- 15.9 dB
- ISRC
- NLPJ62200156
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 120 BPM in C major (8B), Ears for Eyes is a club-tempo techno production. The feel is punchy, neutral in mood. It is vocal-led. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). A 2016 production that still circulates in sets. Slower than 99% of Developer's catalogue. In a set it works best as a mid-set roller.
- Reach:
- more underground than 99% of Developer's catalogue
- Low end:
- more treble-tilted than 99% of Developer's catalogue
- Energy:
- calmer than 96% of Developer's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 36%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Ears for Eyes in?
Ears for Eyes by Developer is in C major, or 8B on the Camelot wheel.
What BPM is Ears for Eyes?
Ears for Eyes runs at 120 BPM, a club-tempo track.
What mixes well with Ears for Eyes?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Ears for Eyes good for peak time?
With energy 60 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 120 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More techno
More from Developer
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
