Fünffleck‐Widderchen by Dominik Eulberg cover art

Fünffleck‐Widderchen

Dominik Eulberg

Key
1A · A♭ minor
BPM
120
Open Key
6m
Energy
64/100
Pop
20/100
Length
9:08
Released
2019
Genre
Tech House
Loudness
-10.1 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Fünffleck‐Widderchen is a club-tempo tech house track in A♭ minor (1A) at 120 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Better known than 80% of Dominik Eulberg's catalogue.

Groove:
less groove-driven than 76% of Dominik Eulberg's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy64
Mood25Dark
Groove57
Acoustic49
Instrumental90
Live11
Speech13

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Fünffleck‐Widderchen in?

Fünffleck‐Widderchen by Dominik Eulberg is in A♭ minor, or 1A on the Camelot wheel.

What BPM is Fünffleck‐Widderchen?

Fünffleck‐Widderchen runs at 120 BPM, a club-tempo track.

What mixes well with Fünffleck‐Widderchen?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is Fünffleck‐Widderchen good for peak time?

With energy 64 out of 100 at 120 BPM, it works best as a mid-set roller.

Mixes harmonically

1A12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

Every move from 1A

2ASimple Mix Upper
12ASimple Mix Downer
1BTonal Shift·
2BDiagonal Mix Upper
12BDiagonal Mix Downer
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 120 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 120 — beatmatch without a big tempo pull.

More tech house

More from Dominik Eulberg

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track