Come With Me - Spencer Brown Remix by Cristoph cover art

Come With Me - Spencer Brown Remix

Cristoph

Key
10A · B minor
BPM
125
Open Key
3m
Energy
79/100
Pop
1/100
Length
5:54
Released
2025
Album
FaCet, Vol. 5
Genre
Tech House
Loudness
-8.7 dB
ISRC
GXFNP2500056

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (12A at 123 BPM), this version runs 2 BPM faster and moves the key from 12A to 10A.

At 125 BPM in B minor (10A), Come With Me - Spencer Brown Remix is a club-tempo tech house production. It reads as dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Darker than 80% of Cristoph's catalogue. For programming, treat it as a peak-time weapon.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy79
Mood18Dark
Groove74
Acoustic6
Instrumental90
Live14
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Come With Me - Spencer Brown Remix in?

Come With Me - Spencer Brown Remix by Cristoph is in B minor, or 10A on the Camelot wheel.

What BPM is Come With Me - Spencer Brown Remix?

Come With Me - Spencer Brown Remix runs at 125 BPM, a club-tempo track.

What mixes well with Come With Me - Spencer Brown Remix?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Come With Me - Spencer Brown Remix good for peak time?

With energy 79 out of 100 at 125 BPM, it works best as a peak-time weapon.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 125 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 79/100).

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More tech house

More from Cristoph

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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