Made In Brazil - Original Mix
30s preview
- BPM
- 125
- Open Key
- 8m
- Energy
- 65/100
- Pop
- 1/100
- Length
- 7:12
- Released
- 2010
- Album
- Made In Brazil
- Genre
- Progressive House
- Label
- Inkfish Recordings
- Loudness
- -8.1 dB
- Dynamics
- 10.2 dB
- ISRC
- GBKQU1013483
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
Made In Brazil - Original Mix is a club-tempo progressive house track in B♭ minor (3A) at 125 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2010 production that still circulates in sets. Groovier than 98% of Cid Inc's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- darker than 84% of Cid Inc's catalogue
- Energy:
- calmer than 77% of Cid Inc's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Made In Brazil - Original Mix in?
Made In Brazil - Original Mix by Cid Inc is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Made In Brazil - Original Mix?
Made In Brazil - Original Mix runs at 125 BPM, a club-tempo track.
What mixes well with Made In Brazil - Original Mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Made In Brazil - Original Mix good for peak time?
With energy 65 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 125 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More progressive house
More from Cid Inc
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
