Transition - Pig & Dan Remix
- BPM
- 127
- Open Key
- 8d
- Energy
- 81/100
- Pop
- 0/100
- Length
- 7:50
- Released
- 2013
- Album
- Omakase (Remixed Part #1)
- Genre
- Techno
- Loudness
- -10.4 dB
- ISRC
- GRKM11300349
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Transitionoriginal4B · 126
- Transition - Original Mixoriginal4B · 126
Against the original (4B at 126 BPM), this version runs 1 BPM faster and moves the key from 4B to 3B.
Transition - Pig & Dan Remix runs 127 BPM in D♭ major (3B), a peak-time tempo techno record. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. More underground than 99% of Christian Smith's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 79% of Christian Smith's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Transition - Pig & Dan Remix in?
Transition - Pig & Dan Remix by Christian Smith is in D♭ major, or 3B on the Camelot wheel.
What BPM is Transition - Pig & Dan Remix?
Transition - Pig & Dan Remix runs at 127 BPM, a peak-time tempo track.
What mixes well with Transition - Pig & Dan Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Transition - Pig & Dan Remix good for peak time?
With energy 81 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 127 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 81/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More techno
More from Christian Smith
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
