Inter Galaxy - 2pole Remix
30s preview
- Key
- 9B · G major
- BPM
- 127
- Open Key
- 2d
- Energy
- 89/100
- Pop
- 2/100
- Length
- 7:32
- Released
- 2017
- Album
- Inter Galaxy [Remixed]
- Genre
- Techno
- Label
- Tronic
- Loudness
- -6.1 dB
- Dynamics
- 6.0 dB
- ISRC
- GBKQU1760988
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Inter Galaxy - 2Pole Beatless Remixremix3A · 127
Inter Galaxy - 2pole Remix runs 127 BPM in G major (9B), a peak-time tempo techno record. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is squashed flat, built for loudness (crest 6 dB). A 2017 production that still circulates in sets. More bass-heavy than 98% of Christian Smith's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- darker than 97% of Christian Smith's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 50%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 1%
- High
- 2.5-11 kHz
FAQ
What key is Inter Galaxy - 2pole Remix in?
Inter Galaxy - 2pole Remix by Christian Smith is in G major, or 9B on the Camelot wheel.
What BPM is Inter Galaxy - 2pole Remix?
Inter Galaxy - 2pole Remix runs at 127 BPM, a peak-time tempo track.
What mixes well with Inter Galaxy - 2pole Remix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Inter Galaxy - 2pole Remix good for peak time?
With energy 89 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 127 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 89/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More techno
More from Christian Smith
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
