Spaceship by Chris Veron cover art

Spaceship

Chris Veron

30s preview

Key
10A · B minor
BPM
126
Open Key
3m
Energy
55/100
Pop
1/100
Length
6:44
Released
2018
Album
Jupiter
Genre
Techno
Label
Reload Black Label
Loudness
-9.3 dB
Dynamics
8.5 dB
ISRC
GBKQU1808015

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A club-tempo techno cut, Spaceship sits in B minor (10A) at 126 BPM. The feel is dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2018 production that still circulates in sets. Groovier than 97% of Chris Veron's catalogue. In a set it works best as a mid-set roller.

Energy:
calmer than 96% of Chris Veron's catalogue
Brightness:
darker than 93% of Chris Veron's catalogue
Tempo:
slower than 78% of Chris Veron's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy55
Mood4Dark
Groove84
Acoustic3
Instrumental75
Live8
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
42%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
16%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is Spaceship in?

Spaceship by Chris Veron is in B minor, or 10A on the Camelot wheel.

What BPM is Spaceship?

Spaceship runs at 126 BPM, a club-tempo track.

What mixes well with Spaceship?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Spaceship good for peak time?

With energy 55 out of 100 at 126 BPM, it works best as a mid-set roller.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 126 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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