Funny - London Bars Vol. I
- BPM
- 140
- Half-time
- 70
- Open Key
- 7d
- Energy
- 66/100
- Pop
- 36/100
- Length
- 2:59
- Released
- 2015
- Album
- Funny (London Bars Vol. I)
- Genre
- Drum N Bass
- Loudness
- -6.7 dB
- ISRC
- GBUM71506900
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Funny - London Bars Vol. I is a driving up-tempo drum n bass track in F♯ major (2B) at 140 BPM. The feel is bright and euphoric. It is vocal-led. A 2015 production that still circulates in sets. Groovier than 97% of Chase & Status's catalogue.
- Energy:
- calmer than 90% of Chase & Status's catalogue
- Brightness:
- brighter than 85% of Chase & Status's catalogue
- Reach:
- better known than 77% of Chase & Status's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Funny - London Bars Vol. I in?
Funny - London Bars Vol. I by Chase & Status is in F♯ major, or 2B on the Camelot wheel.
What BPM is Funny - London Bars Vol. I?
Funny - London Bars Vol. I runs at 140 BPM, a driving up-tempo track.
What mixes well with Funny - London Bars Vol. I?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Funny - London Bars Vol. I good for peak time?
With energy 66 out of 100 at 140 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 140 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More drum n bass
More from Chase & Status
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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