Don't Stop
30s preview
- Key
- 5A · C minor
- BPM
- 140
- Half-time
- 70
- Open Key
- 10m
- Energy
- 69/100
- Pop
- 0/100
- Length
- 3:47
- Released
- 2017
- Album
- Tribe
- Genre
- Drum N Bass
- Loudness
- -5.8 dB
- Dynamics
- 12.4 dB
- ISRC
- GBUM71703185
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Don't Stop is a driving up-tempo drum n bass track in C minor (5A) at 140 BPM. The feel is bright and euphoric. The groove is strong and floor-ready. It is vocal-led. The master keeps unusual dynamic range for club music (crest 12 dB). A 2017 production that still circulates in sets. More underground than 99% of Chase & Status's catalogue. In a set it works best as a high-intensity peak cut.
- Brightness:
- brighter than 94% of Chase & Status's catalogue
- Groove:
- groovier than 93% of Chase & Status's catalogue
- Energy:
- calmer than 85% of Chase & Status's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Don't Stop in?
Don't Stop by Chase & Status is in C minor, or 5A on the Camelot wheel.
What BPM is Don't Stop?
Don't Stop runs at 140 BPM, a driving up-tempo track.
What mixes well with Don't Stop?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Don't Stop good for peak time?
With energy 69 out of 100 at 140 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 140 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More drum n bass
More from Chase & Status
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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