Say Something - Carl Cox Remix
30s preview
- Key
- 7B · F major
- BPM
- 110
- Open Key
- 12d
- Energy
- 91/100
- Pop
- 3/100
- Length
- 3:35
- Released
- 2004
- Album
- Say Something
- Genre
- House
- Loudness
- -6.3 dB
- Dynamics
- 16.1 dB
- ISRC
- NL8FJ2300268
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Say Something - Carl Cox Extended Remixremix7B · 110
Say Something - Carl Cox Remix: mid-tempo house, F major (7B), 110 BPM. It reads as bright and euphoric. The groove is strong and floor-ready. It is vocal-led. The master keeps unusual dynamic range for club music (crest 16 dB). A 2004 production that still circulates in sets. Slower than 99% of Carl Cox's catalogue. In a set it works best as a floor-filler.
- Low end:
- more treble-tilted than 97% of Carl Cox's catalogue
- Brightness:
- brighter than 91% of Carl Cox's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Say Something - Carl Cox Remix in?
Say Something - Carl Cox Remix by Carl Cox is in F major, or 7B on the Camelot wheel.
What BPM is Say Something - Carl Cox Remix?
Say Something - Carl Cox Remix runs at 110 BPM, a mid-tempo track.
What mixes well with Say Something - Carl Cox Remix?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is Say Something - Carl Cox Remix good for peak time?
With energy 91 out of 100 at 110 BPM, it works best as a floor-filler.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 110 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 103-117 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 110 — beatmatch without a big tempo pull.
More house
More from Carl Cox
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 110 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
