Gimma - Andre Crom Remix
30s preview
- BPM
- 132
- Open Key
- 4m
- Energy
- 98/100
- Pop
- 0/100
- Length
- 6:31
- Released
- 2019
- Album
- Gimma
- Genre
- Techno
- Label
- OFF Recordings
- Loudness
- -7.3 dB
- Dynamics
- 6.6 dB
- ISRC
- GBLV61906296
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Gimmaoriginal1B · 133
Against the original (1B at 133 BPM), this version runs 1 BPM slower and moves the key from 1B to 11A.
A peak-time tempo techno cut, Gimma - Andre Crom Remix sits in F♯ minor (11A) at 132 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is squashed flat, built for loudness (crest 7 dB). More underground than 99% of Cari Lekebusch's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- darker than 96% of Cari Lekebusch's catalogue
- Energy:
- hotter than 87% of Cari Lekebusch's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Gimma - Andre Crom Remix in?
Gimma - Andre Crom Remix by Cari Lekebusch is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Gimma - Andre Crom Remix?
Gimma - Andre Crom Remix runs at 132 BPM, a peak-time tempo track.
What mixes well with Gimma - Andre Crom Remix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Gimma - Andre Crom Remix good for peak time?
With energy 98 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 132 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 98/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More techno
More from Cari Lekebusch
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
