Hlala (Radio Edit)
30s preview
- Key
- 7A · D minor
- BPM
- 118
- Open Key
- 12m
- Energy
- 57/100
- Pop
- 0/100
- Length
- 4:21
- Released
- 2024
- Album
- Caiiro
- Genre
- House
- Loudness
- -10.9 dB
- Dynamics
- 9.9 dB
- ISRC
- ZAL6V2400039
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
Against the original (7A at 118 BPM), this version holds the same tempo in the same key.
Hlala (Radio Edit) runs 118 BPM in D minor (7A), a mid-tempo house record. It reads as dark and steady. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. More underground than 99% of Caiiro's catalogue. In a set it works best as a mid-set roller.
- Groove:
- less groove-driven than 98% of Caiiro's catalogue
- Tempo:
- slower than 91% of Caiiro's catalogue
- Brightness:
- darker than 88% of Caiiro's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Hlala (Radio Edit) in?
Hlala (Radio Edit) by Caiiro is in D minor, or 7A on the Camelot wheel.
What BPM is Hlala (Radio Edit)?
Hlala (Radio Edit) runs at 118 BPM, a mid-tempo track.
What mixes well with Hlala (Radio Edit)?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Hlala (Radio Edit) good for peak time?
With energy 57 out of 100 at 118 BPM, it works best as a mid-set roller.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 118 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 118 — beatmatch without a big tempo pull.
More house
More from Caiiro
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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