Puki - Remastered
30s preview
- Key
- 4A · F minor
- BPM
- 125
- Open Key
- 9m
- Energy
- 54/100
- Pop
- 13/100
- Length
- 7:12
- Released
- 2022
- Album
- Feuerfalter Part 02 Deluxe Edition
- Genre
- Minimal Techno
- Label
- Harthouse
- Loudness
- -7.1 dB
- Dynamics
- 10.2 dB
- ISRC
- DEKB72068113
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Pukioriginal4A · 125
Puki - Remastered is a club-tempo minimal techno track in F minor (4A) at 125 BPM. Tonally it lands balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Slower than 99% of Boris Brejcha's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- groovier than 98% of Boris Brejcha's catalogue
- Energy:
- calmer than 75% of Boris Brejcha's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Puki - Remastered in?
Puki - Remastered by Boris Brejcha is in F minor, or 4A on the Camelot wheel.
What BPM is Puki - Remastered?
Puki - Remastered runs at 125 BPM, a club-tempo track.
What mixes well with Puki - Remastered?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Puki - Remastered good for peak time?
With energy 54 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 125 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More minimal techno
More from Boris Brejcha
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
