Fuck Off - Remastered
30s preview
- BPM
- 130
- Open Key
- 8m
- Energy
- 93/100
- Pop
- 6/100
- Length
- 7:03
- Released
- 2008
- Album
- Classic Collectors Box Part 1
- Genre
- Tech House
- Label
- Harthouse
- Loudness
- -7.6 dB
- Dynamics
- 15.9 dB
- ISRC
- DEKB72082754
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Fuck Offoriginal8A · 130
A peak-time tempo tech house cut, Fuck Off - Remastered sits in B♭ minor (3A) at 130 BPM. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 16 dB). A 2008 production that still circulates in sets. Hotter than 99% of Boris Brejcha's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- brighter than 99% of Boris Brejcha's catalogue
- Low end:
- more treble-tilted than 99% of Boris Brejcha's catalogue
- Tempo:
- faster than 95% of Boris Brejcha's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Fuck Off - Remastered in?
Fuck Off - Remastered by Boris Brejcha is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Fuck Off - Remastered?
Fuck Off - Remastered runs at 130 BPM, a peak-time tempo track.
What mixes well with Fuck Off - Remastered?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Fuck Off - Remastered good for peak time?
With energy 93 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 130 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More tech house
More from Boris Brejcha
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
