Pick Up (Four Tet Mix)
30s preview
- Key
- 7A · D minor
- BPM
- 117
- Open Key
- 12m
- Energy
- 74/100
- Pop
- 0/100
- Length
- 7:12
- Released
- 2003
- Album
- Flutter
- Genre
- Downtempo
- Loudness
- -7.6 dB
- Dynamics
- 13.0 dB
- ISRC
- GBCFB0300067
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Pick Up (Four Tet Remix Edit)remix10B · 116
- Pick Uporiginal3B · 118
Pick Up (Four Tet Mix) is a mid-tempo downtempo track in D minor (7A) at 117 BPM. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2003 production that still circulates in sets. More underground than 99% of Bonobo's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more bass-heavy than 97% of Bonobo's catalogue
- Groove:
- less groove-driven than 84% of Bonobo's catalogue
- Brightness:
- darker than 84% of Bonobo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 38%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 3%
- High
- 2.5-11 kHz
FAQ
What key is Pick Up (Four Tet Mix) in?
Pick Up (Four Tet Mix) by Bonobo is in D minor, or 7A on the Camelot wheel.
What BPM is Pick Up (Four Tet Mix)?
Pick Up (Four Tet Mix) runs at 117 BPM, a mid-tempo track.
What mixes well with Pick Up (Four Tet Mix)?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Pick Up (Four Tet Mix) good for peak time?
With energy 74 out of 100 at 117 BPM, it works best as a mid-set roller.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 117 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 110-124 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 117 — beatmatch without a big tempo pull.
More downtempo
More from Bonobo
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 117 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
