Ti Mbi, Ti Mo
- BPM
- 120
- Open Key
- 5d
- Energy
- 74/100
- Pop
- 1/100
- Length
- 5:15
- Released
- 2022
- Genre
- Deep House
- Loudness
- -6.3 dB
- ISRC
- QM4TW2231269
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 120 BPM in E major (12B), Ti Mbi, Ti Mo is a club-tempo deep house production. Tonally it lands punchy, neutral in mood. Less groove-driven than 90% of Boddhi Satva's catalogue. In a set it works best as a mid-set roller.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Ti Mbi, Ti Mo in?
Ti Mbi, Ti Mo by Boddhi Satva is in E major, or 12B on the Camelot wheel.
What BPM is Ti Mbi, Ti Mo?
Ti Mbi, Ti Mo runs at 120 BPM, a club-tempo track.
What mixes well with Ti Mbi, Ti Mo?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is Ti Mbi, Ti Mo good for peak time?
With energy 74 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 120 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More deep house
More from Boddhi Satva
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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