Mbangui by Boddhi Satva cover art

30s preview

Key
3A · B♭ minor
BPM
120
Open Key
8m
Energy
36/100
Pop
1/100
Length
8:04
Released
2024
Genre
Deep House
Loudness
-12.8 dB
Dynamics
12.1 dB
ISRC
QM4TW2430788

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 120 BPM in B♭ minor (3A), Mbangui is a club-tempo deep house production. It reads as subdued and even. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). More bass-heavy than 99% of Boddhi Satva's catalogue. In a set it works best as a warm-up or breakdown cut.

Energy:
calmer than 98% of Boddhi Satva's catalogue
Groove:
groovier than 75% of Boddhi Satva's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy36
Mood49Balanced
Groove84
Acoustic2
Instrumental91
Live10
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
60%
Low
30-130 Hz
24%
Low-mid
130-570 Hz
9%
Upper-mid
570 Hz-2.5 kHz
7%
High
2.5-11 kHz

FAQ

What key is Mbangui in?

Mbangui by Boddhi Satva is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Mbangui?

Mbangui runs at 120 BPM, a club-tempo track.

What mixes well with Mbangui?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Mbangui good for peak time?

With energy 36 out of 100 at 120 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 120 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 120 — beatmatch without a big tempo pull.

More deep house

#TrackKey·BPM

More from Boddhi Satva

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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