Lost Time - Radio Edit
30s preview
- Key
- 8A · A minor
- BPM
- 122
- Open Key
- 1m
- Energy
- 62/100
- Pop
- 1/100
- Length
- 5:29
- Released
- 2020
- Album
- Lost Time
- Genre
- Progressive House
- Label
- Oko Recordings
- Loudness
- -5.8 dB
- Dynamics
- 11.5 dB
- ISRC
- GBKQU2042152
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Lost Time - D-Formation & GRAZZE Remixremix10A · 122
- Lost Timeoriginal8A · 122
- Lost Time - Instrumentaloriginal8A · 122
Against the original (8A at 122 BPM), this version holds the same tempo in the same key.
Lost Time - Radio Edit is a club-tempo progressive house track in A minor (8A) at 122 BPM. It reads as bright and euphoric. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Groovier than 99% of Betoko's catalogue. For programming, treat it as a mid-set roller.
- Brightness:
- brighter than 93% of Betoko's catalogue
- Tempo:
- slower than 84% of Betoko's catalogue
- Energy:
- calmer than 80% of Betoko's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Lost Time - Radio Edit in?
Lost Time - Radio Edit by Betoko is in A minor, or 8A on the Camelot wheel.
What BPM is Lost Time - Radio Edit?
Lost Time - Radio Edit runs at 122 BPM, a club-tempo track.
What mixes well with Lost Time - Radio Edit?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Lost Time - Radio Edit good for peak time?
With energy 62 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 122 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
![Step by Step (Original Mix] by Kobana cover art](https://i.scdn.co/image/ab67616d00001e0297d2998e630ad339ffdcc93c){kind=small}
More progressive house
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Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
