Your Voice - Radio Edit
30s preview
- BPM
- 120
- Open Key
- 4m
- Energy
- 78/100
- Pop
- 24/100
- Length
- 3:46
- Released
- 2020
- Album
- Your Voice
- Genre
- House
- Label
- Madorasindahouse
- Loudness
- -7.8 dB
- Dynamics
- 10.8 dB
- ISRC
- QM6P42010041
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Your Voice - Adam Port Remixremix10A · 122
- Your Voiceoriginal10B · 120
- Your Voice - Enoo Napa Remixremix2B · 120
Against the original (10B at 120 BPM), this version holds the same tempo and moves the key from 10B to 11A.
Your Voice - Radio Edit: club-tempo house, F♯ minor (11A), 120 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Darker than 92% of Awen's catalogue. In a set it works best as a floor-filler.
- Reach:
- better known than 81% of Awen's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Your Voice - Radio Edit in?
Your Voice - Radio Edit by Awen is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Your Voice - Radio Edit?
Your Voice - Radio Edit runs at 120 BPM, a club-tempo track.
What mixes well with Your Voice - Radio Edit?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Your Voice - Radio Edit good for peak time?
With energy 78 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 120 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More house
More from Awen
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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