Unstoppable - Edit
30s preview
- Key
- 8A · A minor
- BPM
- 120
- Open Key
- 1m
- Energy
- 81/100
- Pop
- 2/100
- Length
- 5:58
- Released
- 2021
- Album
- Unstoppable
- Genre
- Neofolk
- Loudness
- -10.4 dB
- Dynamics
- 11.7 dB
- ISRC
- QMDA62112380
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Unstoppable - Daniel Rateuke Remixremix8A · 120
- Unstoppable - Monkey Safari Remixremix9B · 124
- Unstoppableoriginal8B · 120
- Unstoppable - Cehashi Interpretationoriginal8A · 119
Against the original (8B at 120 BPM), this version holds the same tempo and moves the key from 8B to 8A.
Unstoppable - Edit is a club-tempo neofolk track in A minor (8A) at 120 BPM. Tonally it lands dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). Hotter than 77% of Awen's catalogue. In a set it works best as a mid-set roller.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 7%
- High
- 2.5-11 kHz
FAQ
What key is Unstoppable - Edit in?
Unstoppable - Edit by Awen is in A minor, or 8A on the Camelot wheel.
What BPM is Unstoppable - Edit?
Unstoppable - Edit runs at 120 BPM, a club-tempo track.
What mixes well with Unstoppable - Edit?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Unstoppable - Edit good for peak time?
With energy 81 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 120 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More neofolk
More from Awen
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.