Particle Repositioning
- Key
- 9A · E minor
- BPM
- 123
- Open Key
- 2m
- Energy
- 77/100
- Pop
- 1/100
- Length
- 7:17
- Released
- 2017
- Genre
- Techno
- Loudness
- -9.6 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Particle Repositioning runs 123 BPM in E minor (9A), a club-tempo techno record. It reads as punchy, neutral in mood. The mix is almost entirely instrumental. A 2017 production that still circulates in sets. Slower than 87% of Oscar Mulero's catalogue. For programming, treat it as a mid-set roller.
- Brightness:
- brighter than 87% of Oscar Mulero's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Particle Repositioning in?
Particle Repositioning by Oscar Mulero is in E minor, or 9A on the Camelot wheel.
What BPM is Particle Repositioning?
Particle Repositioning runs at 123 BPM, a club-tempo track.
What mixes well with Particle Repositioning?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Particle Repositioning good for peak time?
With energy 77 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 123 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More techno
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
