Mr. Navigator - Steve Aoki's 'I Am The Captain Now' Remix
- BPM
- 140
- Half-time
- 70
- Open Key
- 3m
- Energy
- 100/100
- Pop
- 0/100
- Length
- 3:42
- Released
- 2020
- Album
- Mr. Navigator (Steve Aoki's 'I Am The Captain Now' Remix)
- Genre
- Trance
- Loudness
- -3.8 dB
- ISRC
- NLF712002069
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Mr. Navigator - Maxim Lany Remixremix11A · 125
- Mr. Navigator - Extended Mixversion9B · 138
- Mr. Navigator - Berg & Hi Profile Remixremix11A · 138
- Mr. Navigator - Ran-D Extended Remixremix3B · 150
- Mr. Navigatororiginal3B · 134
- Mr. Navigator - Ran-D Remixremix3B · 150
Against the original (3B at 134 BPM), this version runs 6 BPM faster and moves the key from 3B to 10A.
A driving up-tempo trance cut, Mr. Navigator - Steve Aoki's 'I Am The Captain Now' Remix sits in B minor (10A) at 140 BPM. It reads as dark and driving. It is vocal-led. The master is loud and heavily compressed. Hotter than 99% of Armin van Buuren's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- more underground than 99% of Armin van Buuren's catalogue
- Tempo:
- faster than 85% of Armin van Buuren's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Mr. Navigator - Steve Aoki's 'I Am The Captain Now' Remix in?
Mr. Navigator - Steve Aoki's 'I Am The Captain Now' Remix by Armin van Buuren is in B minor, or 10A on the Camelot wheel.
What BPM is Mr. Navigator - Steve Aoki's 'I Am The Captain Now' Remix?
Mr. Navigator - Steve Aoki's 'I Am The Captain Now' Remix runs at 140 BPM, a driving up-tempo track.
What mixes well with Mr. Navigator - Steve Aoki's 'I Am The Captain Now' Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Mr. Navigator - Steve Aoki's 'I Am The Captain Now' Remix good for peak time?
With energy 100 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 140 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 100/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More trance
More from Armin van Buuren
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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