Power of Bass - James Doman Remix
30s preview
- Key
- 9A · E minor
- BPM
- 123
- Open Key
- 2m
- Energy
- 95/100
- Pop
- 10/100
- Length
- 2:49
- Released
- 2020
- Album
- Power of Bass (James Doman Remix)
- Genre
- House
- Loudness
- -4.9 dB
- Dynamics
- 11.8 dB
- ISRC
- GBCEN2000080
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Power of Bassoriginal11B · 125
Against the original (11B at 125 BPM), this version runs 2 BPM slower and moves the key from 11B to 9A.
Power of Bass - James Doman Remix runs 123 BPM in E minor (9A), a club-tempo house record. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). Less groove-driven than 98% of Armand Van Helden's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 88% of Armand Van Helden's catalogue
- Energy:
- hotter than 85% of Armand Van Helden's catalogue
- Low end:
- more treble-tilted than 75% of Armand Van Helden's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Power of Bass - James Doman Remix in?
Power of Bass - James Doman Remix by Armand Van Helden is in E minor, or 9A on the Camelot wheel.
What BPM is Power of Bass - James Doman Remix?
Power of Bass - James Doman Remix runs at 123 BPM, a club-tempo track.
What mixes well with Power of Bass - James Doman Remix?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Power of Bass - James Doman Remix good for peak time?
With energy 95 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 123 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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