Summertime - Kiko Remix
30s preview
- BPM
- 123
- Open Key
- 7m
- Energy
- 95/100
- Pop
- 0/100
- Length
- 7:21
- Released
- 2013
- Album
- Out Of The Box - Remixes
- Genre
- Tech House
- Loudness
- -8.5 dB
- Dynamics
- 14.2 dB
- ISRC
- GBJAJ1302628
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Summertimeoriginal10A · 125
- Summertime - Dub Mixversion1B · 125
- Summertime - D-Unity Remixremix2A · 124
- Summertime - Mihalis Safras and Manuel De La Mare Editversion11A · 125
Against the original (10A at 125 BPM), this version runs 2 BPM slower and moves the key from 10A to 2A.
A club-tempo tech house cut, Summertime - Kiko Remix sits in E♭ minor (2A) at 123 BPM. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2013 production that still circulates in sets. Less groove-driven than 99% of Mihalis Safras's catalogue.
- Reach:
- more underground than 99% of Mihalis Safras's catalogue
- Tempo:
- slower than 91% of Mihalis Safras's catalogue
- Low end:
- more treble-tilted than 85% of Mihalis Safras's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Summertime - Kiko Remix in?
Summertime - Kiko Remix by Mihalis Safras is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Summertime - Kiko Remix?
Summertime - Kiko Remix runs at 123 BPM, a club-tempo track.
What mixes well with Summertime - Kiko Remix?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Summertime - Kiko Remix good for peak time?
With energy 95 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 123 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More tech house
More from Mihalis Safras
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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