All Nite by Armand Van Helden cover art

30s preview

Key
9B · G major
BPM
130
Open Key
2d
Energy
82/100
Pop
0/100
Length
4:32
Released
2007
Genre
House
Loudness
-4.9 dB
Dynamics
11.4 dB
ISRC
GBEFR0700924

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A peak-time tempo house cut, All Nite sits in G major (9B) at 130 BPM. The feel is bright and euphoric. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). A 2007 production that still circulates in sets. More underground than 99% of Armand Van Helden's catalogue. For programming, treat it as a peak-time weapon.

Brightness:
brighter than 85% of Armand Van Helden's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy82
Mood80Bright
Groove77
Acoustic1
Instrumental39
Live8
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
34%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is All Nite in?

All Nite by Armand Van Helden is in G major, or 9B on the Camelot wheel.

What BPM is All Nite?

All Nite runs at 130 BPM, a peak-time tempo track.

What mixes well with All Nite?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is All Nite good for peak time?

With energy 82 out of 100 at 130 BPM, it works best as a peak-time weapon.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

#TrackKey·BPM

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 130 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 82/100).

Similar tempo

Within ±3 BPM of 130 — beatmatch without a big tempo pull.

#TrackKey·BPM

More house

#TrackKey·BPM

More from Armand Van Helden

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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