Reject by Anthony Attalla cover art

30s preview

Key
10A · B minor
BPM
124
Open Key
3m
Energy
83/100
Pop
0/100
Length
3:31
Released
2019
Album
Falling EP
Genre
Tech House
Loudness
-8.2 dB
Dynamics
15.6 dB
ISRC
GBJAJ1901694

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Reject: club-tempo tech house, B minor (10A), 124 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 16 dB). More underground than 99% of Anthony Attalla's catalogue. For programming, treat it as a peak-time weapon.

Tempo:
slower than 87% of Anthony Attalla's catalogue
Energy:
calmer than 79% of Anthony Attalla's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy83
Mood35Balanced
Groove77
Acoustic0
Instrumental89
Live11
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
34%
Low
30-130 Hz
34%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is Reject in?

Reject by Anthony Attalla is in B minor, or 10A on the Camelot wheel.

What BPM is Reject?

Reject runs at 124 BPM, a club-tempo track.

What mixes well with Reject?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Reject good for peak time?

With energy 83 out of 100 at 124 BPM, it works best as a peak-time weapon.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#Track

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 124 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 83/100).

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

More tech house

More from Anthony Attalla

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track