Fundamentals - Original Version
30s preview
- BPM
- 125
- Open Key
- 3d
- Energy
- 82/100
- Pop
- 0/100
- Length
- 6:39
- Released
- 2017
- Album
- Fundamentals
- Genre
- Tech House
- Loudness
- -8.4 dB
- Dynamics
- 9.8 dB
- ISRC
- DENC31700058
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Fundamentals - Florian Kruse Remixremix9B · 122
A club-tempo tech house cut, Fundamentals - Original Version sits in D major (10B) at 125 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2017 production that still circulates in sets. More underground than 99% of Anthony Attalla's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more bass-heavy than 90% of Anthony Attalla's catalogue
- Brightness:
- darker than 84% of Anthony Attalla's catalogue
- Energy:
- calmer than 79% of Anthony Attalla's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Fundamentals - Original Version in?
Fundamentals - Original Version by Anthony Attalla is in D major, or 10B on the Camelot wheel.
What BPM is Fundamentals - Original Version?
Fundamentals - Original Version runs at 125 BPM, a club-tempo track.
What mixes well with Fundamentals - Original Version?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Fundamentals - Original Version good for peak time?
With energy 82 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 125 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 82/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Anthony Attalla
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
