Shiroken - Gabriel Wnz, SGARRA Jumping Rmx
- Key
- 8A · A minor
- BPM
- 150
- Half-time
- 75
- Open Key
- 1m
- Energy
- 100/100
- Pop
- 12/100
- Length
- 6:21
- Released
- 2021
- Album
- Remix Box
- Genre
- Techno
- Loudness
- -8.3 dB
- ISRC
- CA5KR2152687
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Shiroken - Original Mixoriginal10A · 145
Against the original (10A at 145 BPM), this version runs 5 BPM faster and moves the key from 10A to 8A.
Shiroken - Gabriel Wnz, SGARRA Jumping Rmx is a fast techno track in A minor (8A) at 150 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Less groove-driven than 99% of AnGy KoRe's catalogue. For programming, treat it as a high-intensity peak cut.
- Energy:
- hotter than 97% of AnGy KoRe's catalogue
- Reach:
- better known than 93% of AnGy KoRe's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Shiroken - Gabriel Wnz, SGARRA Jumping Rmx in?
Shiroken - Gabriel Wnz, SGARRA Jumping Rmx by AnGy KoRe is in A minor, or 8A on the Camelot wheel.
What BPM is Shiroken - Gabriel Wnz, SGARRA Jumping Rmx?
Shiroken - Gabriel Wnz, SGARRA Jumping Rmx runs at 150 BPM, a fast track.
What mixes well with Shiroken - Gabriel Wnz, SGARRA Jumping Rmx?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Shiroken - Gabriel Wnz, SGARRA Jumping Rmx good for peak time?
With energy 100 out of 100 at 150 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 150 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 150 — beatmatch without a big tempo pull.
More techno
More from AnGy KoRe
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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