Kidding Around - Diarmaid O Meara Remix
30s preview
- Key
- 1B · B major
- BPM
- 130
- Open Key
- 6d
- Energy
- 57/100
- Pop
- 0/100
- Length
- 6:19
- Released
- 2015
- Album
- Kidding Around
- Genre
- Techno
- Loudness
- -11.7 dB
- Dynamics
- 8.1 dB
- ISRC
- PT9BS1400327
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Kidding Around - Hardom Remixremix10A · 132
- Kidding Around - Original Mixoriginal7B · 127
Against the original (7B at 127 BPM), this version runs 3 BPM faster and moves the key from 7B to 1B.
A peak-time tempo techno cut, Kidding Around - Diarmaid O Meara Remix sits in B major (1B) at 130 BPM. Tonally it lands dark and steady. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2015 production that still circulates in sets. More underground than 99% of AnGy KoRe's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 94% of AnGy KoRe's catalogue
- Low end:
- more bass-heavy than 90% of AnGy KoRe's catalogue
- Brightness:
- darker than 77% of AnGy KoRe's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 45%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 6%
- High
- 2.5-11 kHz
FAQ
What key is Kidding Around - Diarmaid O Meara Remix in?
Kidding Around - Diarmaid O Meara Remix by AnGy KoRe is in B major, or 1B on the Camelot wheel.
What BPM is Kidding Around - Diarmaid O Meara Remix?
Kidding Around - Diarmaid O Meara Remix runs at 130 BPM, a peak-time tempo track.
What mixes well with Kidding Around - Diarmaid O Meara Remix?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Kidding Around - Diarmaid O Meara Remix good for peak time?
With energy 57 out of 100 at 130 BPM, it works best as a mid-set roller.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 130 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More techno
More from AnGy KoRe
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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