Grey
30s preview
- BPM
- 124
- Open Key
- 5m
- Energy
- 91/100
- Pop
- 11/100
- Length
- 6:46
- Released
- 2015
- Album
- Greyscale EP
- Genre
- Techno
- Label
- Florida Music Records
- Loudness
- -8.0 dB
- Dynamics
- 17.8 dB
- ISRC
- QMFMF1547082
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Grey - Alessandro Grops Remixremix9A · 125
- Grey - Joe Blake Remixremix10A · 126
- Grey - Lluis Ribalta Remixremix10A · 124
- Grey - Original Mixoriginal12A · 124
Grey: club-tempo techno, D♭ minor (12A), 124 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 18 dB). A 2015 production that still circulates in sets. More treble-tilted than 99% of Andres Campo's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- slower than 89% of Andres Campo's catalogue
- Reach:
- better known than 84% of Andres Campo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 25%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 21%
- High
- 2.5-11 kHz
FAQ
What key is Grey in?
Grey by Andres Campo is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Grey?
Grey runs at 124 BPM, a club-tempo track.
What mixes well with Grey?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Grey good for peak time?
With energy 91 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 124 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More techno
More from Andres Campo
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
