Step Aside by Ki Creighton cover art

Step Aside

Ki Creighton

30s preview

Key
1A · A♭ minor
BPM
124
Open Key
6m
Energy
91/100
Pop
1/100
Length
6:42
Released
2016
Genre
Tech House
Loudness
-5.4 dB
Dynamics
12.3 dB
ISRC
ES94G1608105

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Step Aside runs 124 BPM in A♭ minor (1A), a club-tempo tech house record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2016 production that still circulates in sets. Groovier than 98% of Ki Creighton's catalogue.

Low end:
more treble-tilted than 90% of Ki Creighton's catalogue
Tempo:
slower than 75% of Ki Creighton's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy91
Mood42Balanced
Groove88
Acoustic0
Instrumental91
Live20
Speech18

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Step Aside in?

Step Aside by Ki Creighton is in A♭ minor, or 1A on the Camelot wheel.

What BPM is Step Aside?

Step Aside runs at 124 BPM, a club-tempo track.

What mixes well with Step Aside?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is Step Aside good for peak time?

With energy 91 out of 100 at 124 BPM, it works best as a peak-time weapon.

Mixes harmonically

1A12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

Every move from 1A

2ASimple Mix Upper
12ASimple Mix Downer
1BTonal Shift·
2BDiagonal Mix Upper
12BDiagonal Mix Downer
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 124 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 91/100).

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

More tech house

More from Ki Creighton

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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