Ancient Gods
30s preview
- BPM
- 125
- Open Key
- 4m
- Energy
- 92/100
- Pop
- 0/100
- Length
- 6:25
- Released
- 2018
- Album
- Cyclone
- Genre
- Techno
- Loudness
- -8.9 dB
- Dynamics
- 9.9 dB
- ISRC
- QM6P41874139
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Ancient Gods runs 125 BPM in F♯ minor (11A), a club-tempo techno record. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2018 production that still circulates in sets. Groovier than 99% of Andres Campo's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- darker than 99% of Andres Campo's catalogue
- Reach:
- more underground than 99% of Andres Campo's catalogue
- Tempo:
- slower than 85% of Andres Campo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Ancient Gods in?
Ancient Gods by Andres Campo is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Ancient Gods?
Ancient Gods runs at 125 BPM, a club-tempo track.
What mixes well with Ancient Gods?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Ancient Gods good for peak time?
With energy 92 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 125 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More techno
More from Andres Campo
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
