Laugh and Mourn
30s preview
- BPM
- 119
- Open Key
- 8m
- Energy
- 59/100
- Pop
- 0/100
- Length
- 7:42
- Released
- 2017
- Album
- Echoes / Laugh and Mourn
- Genre
- Progressive House
- Label
- Dopamine Music
- Loudness
- -13.1 dB
- Dynamics
- 15.1 dB
- ISRC
- US83Z1794279
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Laugh and Mourn - Replicanth 5 A.M. Remixremix8B · 119
Laugh and Mourn runs 119 BPM in B♭ minor (3A), a club-tempo progressive house record. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2017 production that still circulates in sets. More underground than 99% of Analog Jungs's catalogue.
- Energy:
- calmer than 98% of Analog Jungs's catalogue
- Tempo:
- slower than 97% of Analog Jungs's catalogue
- Groove:
- groovier than 87% of Analog Jungs's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Laugh and Mourn in?
Laugh and Mourn by Analog Jungs is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Laugh and Mourn?
Laugh and Mourn runs at 119 BPM, a club-tempo track.
What mixes well with Laugh and Mourn?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Laugh and Mourn good for peak time?
With energy 59 out of 100 at 119 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
![Deep Space Girls [Mix Cut] - Original Mix by 16BL cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/c1c7c46ad73130338156.webp){kind=small}
How to mix it
In 3A at 119 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 112-126 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 119 — beatmatch without a big tempo pull.
![Caught Behind Mars [Mix Cut] - Original Mix by 16BL cover art](https://i.scdn.co/image/ab67616d00001e021b1352a1f6efab0d87cda51d){kind=small}
More progressive house
More from Analog Jungs
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 119 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
