Ain't My Business by Aluna cover art

Ain't My Business

Aluna

30s preview

Key
10B · D major
BPM
128
Open Key
3d
Energy
77/100
Pop
15/100
Length
3:03
Released
2020
Album
Renaissance
Genre
Uk Garage
Loudness
-4.9 dB
Dynamics
12.9 dB
ISRC
USZ4V2000303

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

At 128 BPM in D major (10B), Ain't My Business is a peak-time tempo uk garage production. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). Darker than 93% of Aluna's catalogue. For programming, treat it as a peak-time weapon.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy77
Mood20Dark
Groove78
Acoustic5
Instrumental0
Live7
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Ain't My Business in?

Ain't My Business by Aluna is in D major, or 10B on the Camelot wheel.

What BPM is Ain't My Business?

Ain't My Business runs at 128 BPM, a peak-time tempo track.

What mixes well with Ain't My Business?

From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.

Is Ain't My Business good for peak time?

With energy 77 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

10B9B · 11B · 10A

From 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.

#TrackKey·BPM

Every move from 10B

11BSimple Mix Upper
9BSimple Mix Downer
10ATonal Shift·
11ADiagonal Mix Upper
9ADiagonal Mix Downer
1ACompatible Tone·
12BHigh Energy Boost▲▲▲
8BHigh Energy Drain▼▼▼
1BParallel Key Upper▲▲
7BParallel Key Downer▼▼
5BTritone Jump▲▲
2BRelated Keyrisky

How to mix it

In 10B at 128 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 77/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More uk garage

#TrackKey·BPM

More from Aluna

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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