The End of Us
- Key
- 9B · G major
- BPM
- 172
- Half-time
- 86
- Open Key
- 2d
- Energy
- 75/100
- Pop
- 14/100
- Length
- 5:42
- Released
- 2013
- Genre
- Drum N Bass
- Loudness
- -3.9 dB
- ISRC
- GBPWR1300256
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
The End of Us is a drum n bass track in G major (9B) at 172 BPM. Tonally it lands punchy, neutral in mood. The master is loud and heavily compressed. A 2013 production that still circulates in sets. Groovier than 79% of Alix Perez's catalogue. For programming, treat it as a floor-filler.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The End of Us in?
The End of Us by Alix Perez is in G major, or 9B on the Camelot wheel.
What BPM is The End of Us?
The End of Us runs at 172 BPM.
What mixes well with The End of Us?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is The End of Us good for peak time?
With energy 75 out of 100 at 172 BPM, it works best as a floor-filler.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 172 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 172 — beatmatch without a big tempo pull.
More drum n bass
More from Alix Perez
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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