Feels Good - Original Mix
30s preview
- Key
- 9B · G major
- BPM
- 120
- Open Key
- 2d
- Energy
- 64/100
- Pop
- 0/100
- Length
- 4:19
- Released
- 2014
- Album
- Cafe Mambo / Feels Good
- Genre
- Progressive House
- Loudness
- -9.8 dB
- Dynamics
- 9.6 dB
- ISRC
- US83Z1456025
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 120 BPM in G major (9B), Feels Good - Original Mix is a club-tempo progressive house production. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2014 production that still circulates in sets. Slower than 99% of 8Kays's catalogue. In a set it works best as a mid-set roller.
- Reach:
- more underground than 99% of 8Kays's catalogue
- Groove:
- groovier than 94% of 8Kays's catalogue
- Brightness:
- darker than 89% of 8Kays's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Feels Good - Original Mix in?
Feels Good - Original Mix by 8Kays is in G major, or 9B on the Camelot wheel.
What BPM is Feels Good - Original Mix?
Feels Good - Original Mix runs at 120 BPM, a club-tempo track.
What mixes well with Feels Good - Original Mix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Feels Good - Original Mix good for peak time?
With energy 64 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 120 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More progressive house
More from 8Kays
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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