Rainbow
- Key
- 1B · B major
- BPM
- 122
- Open Key
- 6d
- Energy
- 93/100
- Pop
- 39/100
- Length
- 6:09
- Released
- 2019
- Genre
- Progressive House
- Loudness
- -7.9 dB
- ISRC
- DEQ021904766
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo progressive house cut, Rainbow sits in B major (1B) at 122 BPM. The mix is almost entirely instrumental. Better known than 97% of 8Kays's catalogue.
- Energy:
- hotter than 94% of 8Kays's catalogue
- Tempo:
- slower than 81% of 8Kays's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Rainbow in?
Rainbow by 8Kays is in B major, or 1B on the Camelot wheel.
What BPM is Rainbow?
Rainbow runs at 122 BPM, a club-tempo track.
What mixes well with Rainbow?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Rainbow good for peak time?
With energy 93 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 122 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More progressive house
More from 8Kays
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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