Akuru - Timboletti Remix
- BPM
- 105
- Open Key
- 8m
- Energy
- 53/100
- Pop
- 1/100
- Length
- 6:45
- Released
- 2021
- Album
- Akuru
- Genre
- Ethno Pop
- Loudness
- -9.3 dB
- ISRC
- US83Z2109726
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Akuru - Tebra Remixremix9A · 110
- Akuru - Original mixoriginal9A · 100
- Akuru - Goldcap remixremix10B · 105
- Akuru - Orri Gami Remixremix6A · 105
- Akuru - Stanisha Vocal Remixremix9B · 120
Against the original (9A at 100 BPM), this version runs 5 BPM faster and moves the key from 9A to 3A.
Akuru - Timboletti Remix is a mid-tempo ethno pop track in B♭ minor (3A) at 105 BPM. Tonally it lands balanced in mood. The mix is almost entirely instrumental. Calmer than 83% of Zuma Dionys's catalogue. In a set it works best as a mid-set roller.
- Groove:
- less groove-driven than 82% of Zuma Dionys's catalogue
- Reach:
- more underground than 81% of Zuma Dionys's catalogue
- Brightness:
- brighter than 76% of Zuma Dionys's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Akuru - Timboletti Remix in?
Akuru - Timboletti Remix by Zuma Dionys is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Akuru - Timboletti Remix?
Akuru - Timboletti Remix runs at 105 BPM, a mid-tempo track.
What mixes well with Akuru - Timboletti Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Akuru - Timboletti Remix good for peak time?
With energy 53 out of 100 at 105 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
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How to mix it
In 3A at 105 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 99-111 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 105 — beatmatch without a big tempo pull.
More ethno pop
More from Zuma Dionys
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 105 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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