No Matter What - Worker Union Bass Reinterpretation
30s preview
- BPM
- 124
- Open Key
- 3m
- Energy
- 71/100
- Pop
- 2/100
- Length
- 6:43
- Released
- 2018
- Album
- No Matter What
- Genre
- Tech House
- Label
- Heisenberg
- Loudness
- -8.8 dB
- Dynamics
- 11.3 dB
- ISRC
- GBKQU1878321
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- No Matter Whatoriginal10A · 126
A club-tempo tech house cut, No Matter What - Worker Union Bass Reinterpretation sits in B minor (10A) at 124 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2018 production that still circulates in sets. Brighter than 84% of Yulia Niko's catalogue.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is No Matter What - Worker Union Bass Reinterpretation in?
No Matter What - Worker Union Bass Reinterpretation by Yulia Niko is in B minor, or 10A on the Camelot wheel.
What BPM is No Matter What - Worker Union Bass Reinterpretation?
No Matter What - Worker Union Bass Reinterpretation runs at 124 BPM, a club-tempo track.
What mixes well with No Matter What - Worker Union Bass Reinterpretation?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is No Matter What - Worker Union Bass Reinterpretation good for peak time?
With energy 71 out of 100 at 124 BPM, it works best as a floor-filler.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 124 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More tech house
More from Yulia Niko
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
