The One You Left Behind - Yotto's Mirage Mix - Edit
30s preview
- BPM
- 124
- Open Key
- 3m
- Energy
- 76/100
- Pop
- 11/100
- Length
- 4:51
- Released
- 2018
- Album
- The One You Left Behind (Yotto's Mirage Mix)
- Genre
- Progressive House
- Label
- Anjunadeep
- Loudness
- -11.3 dB
- Dynamics
- 10.6 dB
- ISRC
- GBEWA1802940
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The One You Left Behind - Editversion9A · 124
- The One You Left Behind - Yotto's Mirage Mixoriginal10B · 124
- The One You Left Behindoriginal10B · 124
- The One You Left Behindoriginal4A · 123
- The One You Left Behind - SØNIN Extended Mixversion3B · 123
Against the original (10B at 124 BPM), this version holds the same tempo and moves the key from 10B to 10A.
At 124 BPM in B minor (10A), The One You Left Behind - Yotto's Mirage Mix - Edit is a club-tempo progressive house production. The feel is dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2018 production that still circulates in sets. Darker than 94% of Yotto's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more bass-heavy than 85% of Yotto's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is The One You Left Behind - Yotto's Mirage Mix - Edit in?
The One You Left Behind - Yotto's Mirage Mix - Edit by Yotto is in B minor, or 10A on the Camelot wheel.
What BPM is The One You Left Behind - Yotto's Mirage Mix - Edit?
The One You Left Behind - Yotto's Mirage Mix - Edit runs at 124 BPM, a club-tempo track.
What mixes well with The One You Left Behind - Yotto's Mirage Mix - Edit?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is The One You Left Behind - Yotto's Mirage Mix - Edit good for peak time?
With energy 76 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 124 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 76/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More progressive house
More from Yotto
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
