Crosswalk by Yotto cover art

Crosswalk

Yotto

30s preview

Key
10B · D major
BPM
122
Open Key
3d
Energy
95/100
Pop
16/100
Length
5:23
Released
2016
Genre
Progressive House
Loudness
-7.6 dB
Dynamics
10.0 dB
ISRC
GBEWA1502031

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Crosswalk: club-tempo progressive house, D major (10B), 122 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2016 production that still circulates in sets. Hotter than 96% of Yotto's catalogue. For programming, treat it as a floor-filler.

Groove:
groovier than 93% of Yotto's catalogue
Tempo:
slower than 83% of Yotto's catalogue
Low end:
more bass-heavy than 78% of Yotto's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy95
Mood33Dark
Groove80
Acoustic1
Instrumental87
Live11
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
41%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Crosswalk in?

Crosswalk by Yotto is in D major, or 10B on the Camelot wheel.

What BPM is Crosswalk?

Crosswalk runs at 122 BPM, a club-tempo track.

What mixes well with Crosswalk?

From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.

Is Crosswalk good for peak time?

With energy 95 out of 100 at 122 BPM, it works best as a floor-filler.

Mixes harmonically

10B9B · 11B · 10A

From 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.

Every move from 10B

11BSimple Mix Upper
9BSimple Mix Downer
10ATonal Shift·
11ADiagonal Mix Upper
9ADiagonal Mix Downer
1ACompatible Tone·
12BHigh Energy Boost▲▲▲
8BHigh Energy Drain▼▼▼
1BParallel Key Upper▲▲
7BParallel Key Downer▼▼
5BTritone Jump▲▲
2BRelated Keyrisky

How to mix it

In 10B at 122 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.

Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 122 — beatmatch without a big tempo pull.

More progressive house

More from Yotto

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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