Road Trip - Jill Bellac Remix
30s preview
- Key
- 8B · C major
- BPM
- 128
- Open Key
- 1d
- Energy
- 68/100
- Pop
- 7/100
- Length
- 7:32
- Released
- 2011
- Album
- Road Trip
- Genre
- Tech House
- Label
- 11UA Digital
- Loudness
- -10.1 dB
- Dynamics
- 11.4 dB
- ISRC
- USA2P1128049
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Road Trip - Jill Bellac Remix is a peak-time tempo tech house track in C major (8B) at 128 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). A 2011 production that still circulates in sets. More underground than 80% of Worakls's catalogue. In a set it works best as a mid-set roller.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Road Trip - Jill Bellac Remix in?
Road Trip - Jill Bellac Remix by Worakls is in C major, or 8B on the Camelot wheel.
What BPM is Road Trip - Jill Bellac Remix?
Road Trip - Jill Bellac Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Road Trip - Jill Bellac Remix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Road Trip - Jill Bellac Remix good for peak time?
With energy 68 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 128 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from Worakls
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
