Here for You
- BPM
- 174
- Half-time
- 87
- Open Key
- 3m
- Energy
- 78/100
- Pop
- 0/100
- Length
- 3:46
- Released
- 2022
- Genre
- Drum N Bass
- Loudness
- -3.4 dB
- ISRC
- GB5KW2104689
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Here for You is a drum n bass track in B minor (10A) at 174 BPM. It is vocal-led. The master is loud and heavily compressed. More underground than 99% of Wilkinson's catalogue.
- Brightness:
- darker than 93% of Wilkinson's catalogue
- Groove:
- less groove-driven than 90% of Wilkinson's catalogue
- Energy:
- calmer than 81% of Wilkinson's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Here for You in?
Here for You by Wilkinson is in B minor, or 10A on the Camelot wheel.
What BPM is Here for You?
Here for You runs at 174 BPM.
What mixes well with Here for You?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Here for You good for peak time?
With energy 78 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 174 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from Wilkinson
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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